Two pieces built for the rooms of two museums: 3D, realtime and a lot of light. NUCLEO is where my design left the screen and went into a space with people inside it.
The context
NUCLEO is the Club Silencio programme I took part in. Weeks of workshop between light, machines and visuals: DMX nodes, moving heads, haze and a room full of people testing what a beam does to a wall. Coming from web design, this was the first time my output had a physical space instead of a viewport.
Club Silencio ↗Camera: all these images are stolen
For Camera, Turin's photography museum, I wanted to use the photographs from their website. I was explicitly told I could not. So I went around the block: I had AI describe to me how those photographs were built, then I regenerated them from scratch from a text description alone. The result is images very close to the originals that are not the originals. Hence the line running through the piece: all these images are stolen, except for the fact that they are not.
MRSN: four insects on a pedestal
For the MRSN, the natural history museum, I went in and photographed the insects of their collection, then rebuilt them in 3D from those photos: meshes through Meshy AI, scene in Blender. There are four of them, rotating inside a generative, ethereal environment that behaves like a museum, taking each insect and placing it on a pedestal. The format is ultrawide, 3840x1200, made for the screen it was shown on and not cropped down from something else.
Alone on the work, inside a collective
I made both pieces on my own, but the programme was a collective: people testing, breaking and fixing things next to me. The photos in this project are that part, the process nobody usually shows.
What I took home
Bold minimalism and emotional design also work when the medium is a beam of light. Realtime taught me something the browser had not: the audience is in the room, and reacts while you are still building.
See the two videos on the TV of my room ↗Approach & craft
Visual design, 3D and realtime, on my own: concept, production and delivery of both pieces, inside Club Silencio's NUCLEO programme.
The outcome
- Visuals delivered for two Turin museums, MRSN and Camera
- Ultrawide 3840x1200 format, built for the museum screen
- 3D pipeline with Blender and Meshy AI, composition and realtime in TouchDesigner
- From the workshop to the actual staging, following the piece all the way through